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Dirty Dancing

(Original London Production, 2006)

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Production Information
Previews:September 29, 2006
Opening:October 24, 2006
Theatres:Aldwych Theatre
(9/29/2006 - ?)
Production Type:Original Production
Production Status: Running
Run Type:Open Run
Market:West End
Intermissions:1
 
Production Staff
Bobby Aitken
....
Sound Designer
Kate Champion
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Choreographer
James Powell
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Director
 
Original Cast | Current Cast | Replacements
Rae Baker
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Vivian
Billy Boyle
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Mr. Schumacher
Josef Brown
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Johnny Castle
Isabella Calthorpe
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Lisa
Nadia Coote
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Penny
Jason Griffiths
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Moe Pressman
Richard Lloyd-King
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Tito
Ben Mingay
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Billy
Richard O'Brien
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Bobbie
Issy Van Randwyck
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Majorie Houseman
Georgina Rich
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Frances 'Baby' Houseman
David Rintoul
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Dr. Jake Houseman
Brian Saccente
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Stan
Ursula Smith
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Mrs Schumacher
Nigel Williams
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Max Kellerman
[Full Cast & Staff]



Featured Show

Sweeney Todd
(27 productions, 3 recordings)

 

Welcome to the BroadwayWorld International Database - Beta Edition!

The BWIDB is the largest theatre database on the net, covering Broadway and beyond. Quite literally - the whole world of theatre.

We've launched this beta version of the BWIDB already including over 75,000 performers and over 12,000 productions. Those 12,000+ productions were presented in more than 1300 theatres and in over 150 cities! But this is just the tip of the iceberg. We are actively increasing the size and scope of this database to ensure that it's your #1 resource for the history of theatre.

Please bear with us as we continue to collect and verify new and existing information within the database. We encourage you to contribute - just use the easy submission forms located throughout the site.

Happy Exploring!

  QUICK POLL
How do you feel about charities and foundations dedicated to nurturing theatre granting large cash awards to well established writers who already make a living through their art? 4 comments
Fine. ItÂ’s their money so let them give it to whoever they want.
If they really want to support the theatre they should give the money to talented writers who need to spend time at other jobs to make a living.
Honoring established playwrights is fine, but the honoree should use the money to help talented unknowns.
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