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Altar Boyz

(Original Off-Broadway Production, 2005)

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Production Information
Previews:February 15, 2005
Opening:March 01, 2005
Theatres:Dodger Stages
(2/15/2005 - ?)
(Renamed New World Stages)
New World Stages [Stage 4]
(2/15/2005 - ?)
Production Type:Original Production
Production Status: Running
Run Type:Open Run
Market:Off-Broadway
Running Time:1 hour and 30 minutes with no intermission
An award-winning musical comedy spoof of a fictional Christian pop group (with one nice Jewish boy).
 
Production Staff
Stafford Arima
....
Director
Gail Brassard
....
Costume Designer
Christopher Gattelli
....
Choreographer
Peter Hylenski
....
Sound Designer
Doug Katsaros
....
Orchestrator
Natasha Katz
....
Lighting Designer
Anna Louizos
....
Scenic Designer
Josh Marquette
....
Wig Designer
Simon Matthews
....
Sound Designer
Lynne Shankel
....
Musical Director
....
Orchestrator
 
Original Cast | Current Cast | Replacements
Ryan Duncan
....
Juan
David Josefsberg
....
Abraham
Andy Karl
....
Luke
Kevin Kern
....
Performer (Understudy)
Tyler Maynard
....
Mark
Scott Porter
....
Matthew
Shadoe Stevens
....
Voice of G.O.D.
Daniel Torres
....
Performer (Understudy)
[Full Cast & Staff]



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Welcome to the BroadwayWorld International Database - Beta Edition!

The BWIDB is the largest theatre database on the net, covering Broadway and beyond. Quite literally - the whole world of theatre.

We've launched this beta version of the BWIDB already including over 75,000 performers and over 12,000 productions. Those 12,000+ productions were presented in more than 1300 theatres and in over 150 cities! But this is just the tip of the iceberg. We are actively increasing the size and scope of this database to ensure that it's your #1 resource for the history of theatre.

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  QUICK POLL
How do you feel about charities and foundations dedicated to nurturing theatre granting large cash awards to well established writers who already make a living through their art? 4 comments
Fine. ItÂ’s their money so let them give it to whoever they want.
If they really want to support the theatre they should give the money to talented writers who need to spend time at other jobs to make a living.
Honoring established playwrights is fine, but the honoree should use the money to help talented unknowns.
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