If only all cast albums had such a quick turnaround... Why wait months after a show is opened to have a CD? CDs should be there within days-weeks of opening night. (and ideally on opening night, assuming that the changes are all set).
According to tweets from the cast members they recorded everything on February 25th. Michael Ball tweeted about a 14 hour recording day. (and yes, Sondheim was in the studio with them - there are pictures on the Sweeney Todd UK facebook page) The mixing was done over the week and Michael was in the studio March 3rd to listen to the result. A few changes might have been made and Nigel Wright then tweeted on Sunday that it was of to be mastered. Michael Ball also tweeted that the plan is to have it ready on Press Night(March 20), but he couldn't guarantee it yet.
It's only a highlights recording - a full recording would obviosly have taken longer time.
I only know that Nigel Wright is the record producer. But aren't most London cast recordings released by either First Night Records or The Really Useful Group?
Possibly Really Useful since Nigel is Andrew's producer?
2013 Theatre: Loserville ***** Merrily We Roll Along ***** La Bohéme (Royal Opera House Live) **** One Man, Two Guvnors (UK Tour) * Oliver! (UK Tour) ***** Lulu (Welsh National Opera) ***** Driving Miss Daisy (UK Tour) [x2] ***** Sexual Perversity in Chicago *** Madame Butterfly (Welsh National Opera) *** High Society (UK Tour) *** Singin' In The Rain ***** The Ladykillers (UK Tour) ***** Peter And Alice ***** A Chorus Line ***** Once *** A Chorus Line ***** GHOST: The Musical (UK Tour) **** The Great Gatsby (Northern Ballet) ***** RENT - 20th Anniversary Concert ** The Woman in Black (UK Tour) ** Matthew Bourne's Sleeping Beauty ***** Lohengrin (Welsh National Opera) **** The Three Phantoms **** Wagner Dream (Welsh National Opera) * The Audience ****
A little more information courtesy of the official Sweeney Todd website:
Michael Ball is co-producer on the record
It will be available at The Adelphi and online at www.sweeneytoddshop.myshopify.com from the end of March. ____________________________________________________________
EDIT: Nigel Wright is also Michael Ball's record producer and since Michael is also co-producing - maybe it will be released by the record company that Michael is signed with: Universal?
I am surprised, looking for this recording on Amazon and there is only 4, O thought there would be a lot more.
2013 Shows: (New York: Glengarry Glen Ross*** Picnic**** The Lion King**** Mamma Mia**** Who's Afraid of Virginia Woofe**** The Other Place*** Nice Work, If You Can Get It** Annie**** The Phantom of the Opera**** Cat On A Hot Tin Roof*** Cinderella**** Evita**** (Final Performance) The Mystery of Edwin Drood*** Mary Poppins*****) London: Salad Days** Great Expectations*** This House** Chess**** A Chorus Line**** Quartermine's Terms**** Old Times*** The Curious Incident of the Dog in the Night Time***** Dear World*** People**** Viva Forever** Peter and Alice** The Wimslow Boy***** Proof**** Our Country's Good* The Tailor Made Man**** Darling of the Day*** Top Hat*** A Judas Kiss*** Spamalot*** Once**** Wicked** A Chorus Line**** Book of Mormon***** Hairspray**** (Tour: Southampton) Sleeping Arrangements***** The Revenge of Sherlock Holmes*** The Pajama Game***(Chichester)The Thrill of Love*** Hymn**/Cocktail Sticks**** Merrily We Roll Along***** The Weir**** The Hot House**** The Rise and the Fall of the Little Voice***** (Churchill, Bromley) Ghost*** (Wimbledon) To Kill A Mockingbird*** (Open Air) Beautiful Thing*** The Phantom*** Charlie and the Chocolate Factory*** Relative Speaking**** Strange Interlude*** Passion Play*** The Rocky Horror Show***(Tour: Bromley) merrily Web Roll Along**** The Audience**** Travels With My Aunt**
Cariou is devastatingly creep on the recording and...because of this recording alone... this role will always belong to Lansbury: funny and moving at the same time.
There's also the concert recording with George Hearn, Patti LuPone and Neil Patrick Harris - but my favourite is the OBC recording (so far). That might change when I get the new recording. :) (Finally a London cast recording of this show!)
Ouch this really is a very sparse recording. They have cut Poor Thing (really?), [probably "The Barber and his Wife" unless it's attached to No Place Like London; it wasn't in the recent revival 'highlights'], Green Finch and Linnet Bird, Ah Miss, Pirelli's Miracle Elixir, The Contest, The Judge's Johanna (if this is performed in the show that is, I'm not sure) among other things like reprises of the Ballads and the wigmaker sequence, the letter etc..
The Judge's Johanna is indeed performed in the show, as are the Beadle's Parlor Songs.
I know I'm being naive, but I hope they did this "Highlights" recording because they are doing the DVD recording later that Michael Ball said he hoped they would be.
I thought I ask what is the best version, as I do not own any 'Sweeney Todd' cast recording, I don't normally buy the CD until I have seen the show, which I will on Monday, so mindful now to buy the OBR as it is the entire score and will buy the new recording when it comes out, but disappointed it is not in it's entirety.
2013 Shows: (New York: Glengarry Glen Ross*** Picnic**** The Lion King**** Mamma Mia**** Who's Afraid of Virginia Woofe**** The Other Place*** Nice Work, If You Can Get It** Annie**** The Phantom of the Opera**** Cat On A Hot Tin Roof*** Cinderella**** Evita**** (Final Performance) The Mystery of Edwin Drood*** Mary Poppins*****) London: Salad Days** Great Expectations*** This House** Chess**** A Chorus Line**** Quartermine's Terms**** Old Times*** The Curious Incident of the Dog in the Night Time***** Dear World*** People**** Viva Forever** Peter and Alice** The Wimslow Boy***** Proof**** Our Country's Good* The Tailor Made Man**** Darling of the Day*** Top Hat*** A Judas Kiss*** Spamalot*** Once**** Wicked** A Chorus Line**** Book of Mormon***** Hairspray**** (Tour: Southampton) Sleeping Arrangements***** The Revenge of Sherlock Holmes*** The Pajama Game***(Chichester)The Thrill of Love*** Hymn**/Cocktail Sticks**** Merrily We Roll Along***** The Weir**** The Hot House**** The Rise and the Fall of the Little Voice***** (Churchill, Bromley) Ghost*** (Wimbledon) To Kill A Mockingbird*** (Open Air) Beautiful Thing*** The Phantom*** Charlie and the Chocolate Factory*** Relative Speaking**** Strange Interlude*** Passion Play*** The Rocky Horror Show***(Tour: Bromley) merrily Web Roll Along**** The Audience**** Travels With My Aunt**
If you can get hold of the soundboard of the OLC that is a very close second.
I rarely play the concert recording or the recent OBC of the John Doyle production. Neither of them do the score justice and both are uninspiring.
The BBC radio broadcast of the NT production has some great performances but the small orchestra can't do the score justice either.
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The OBC is definitely my favourite so far. I can't imagine anyone ever being better than Angela Lansbury (though Len Cariou is not my favourite Todd - if George Hearn played Todd on that recording, it would be perfect!) The score sounds amazing on that recording, and the performances are wonderful - plus, I just love the Sondheim OBCRs...Parts of the movie soundtrack I actually enjoy - the orchestra in By The Sea, for example, sound wonderful. I also love the Theatre Du Chatelet radio recording with Caroline O'Connor who is an exceptional Lovett. It's a bit lifeless in places though. I too love the Original London soundboard and the National recording and can't wait for the new recording, to see if it sits anywhere near the OBC for me :)
2013 Theatre: Loserville ***** Merrily We Roll Along ***** La Bohéme (Royal Opera House Live) **** One Man, Two Guvnors (UK Tour) * Oliver! (UK Tour) ***** Lulu (Welsh National Opera) ***** Driving Miss Daisy (UK Tour) [x2] ***** Sexual Perversity in Chicago *** Madame Butterfly (Welsh National Opera) *** High Society (UK Tour) *** Singin' In The Rain ***** The Ladykillers (UK Tour) ***** Peter And Alice ***** A Chorus Line ***** Once *** A Chorus Line ***** GHOST: The Musical (UK Tour) **** The Great Gatsby (Northern Ballet) ***** RENT - 20th Anniversary Concert ** The Woman in Black (UK Tour) ** Matthew Bourne's Sleeping Beauty ***** Lohengrin (Welsh National Opera) **** The Three Phantoms **** Wagner Dream (Welsh National Opera) * The Audience ****
And to your first question: Denis Quilley and the (amazing) Sheila Hancock.
2013 Theatre: Loserville ***** Merrily We Roll Along ***** La Bohéme (Royal Opera House Live) **** One Man, Two Guvnors (UK Tour) * Oliver! (UK Tour) ***** Lulu (Welsh National Opera) ***** Driving Miss Daisy (UK Tour) [x2] ***** Sexual Perversity in Chicago *** Madame Butterfly (Welsh National Opera) *** High Society (UK Tour) *** Singin' In The Rain ***** The Ladykillers (UK Tour) ***** Peter And Alice ***** A Chorus Line ***** Once *** A Chorus Line ***** GHOST: The Musical (UK Tour) **** The Great Gatsby (Northern Ballet) ***** RENT - 20th Anniversary Concert ** The Woman in Black (UK Tour) ** Matthew Bourne's Sleeping Beauty ***** Lohengrin (Welsh National Opera) **** The Three Phantoms **** Wagner Dream (Welsh National Opera) * The Audience ****
Michael Ball and Imelda Staunton were guests on the Graham Norton show today. They played "A Little Priest" from the new recording - or at least some of it. It stopped after "with or without his privates - with is extra" but Michael made a comment about "Beautiful editing there" to Graham so I'm sure the rest of the song is on the album.
It sounds great IMO :)
The interview starts at 1hour 31minutes into the show and "A Little Priest" just after 1hour 38minutes.
joined:9/28/08
Posted: 3/4/12 at 06:44am