All Fools' Eve, no man may tell what elfin spell this magic night may weave...
This line rang true with me, as I had no idea what to expect from the professional premiere of a musical based on Goldsmith's She Stoops To Conquer. I needn't have worried, as a spell was well and truly cast and a good one it was too.
Goodall and Hart's musical opens as the Hardcastle household prepares to welcome two guests, gentlemen of high birth, one of whom is intended as a suitor for the beautiful Kate Hardcastle. All appears to be going to plan until the two young men lose their way and seek help from the hair-brained Tony Lumpkin, Kate's half-brother. Cue a hilarious evening of confusion, trickery and mistaken identity.
I will admit that, as a theatregoer with a general dislike of actor-musician shows, I was concerned about how this one would pan out, particularly in such a small space as the Jermyn Street Theatre. Yet I found myself being charmed by the inventive little ways in which the instruments brandished by the small cast doubled up as props, including the violin bow duster and the triangle lantern.
Goodall's music for the piece extends from raucous pub songs to witty ditties to beautiful, lyrical ballads. If I had to nit-pick, I would say that a couple of numbers were a bit lengthier than necessary, but I couldn't help but enjoy myself anyway when said songs were being performed by such a talented, and clearly devoted, cast.
The Kissing-Dance veterans Gina Beck and Ian Virgo put in stellar turns as intended lovers Kate Hardcastle and Charles Marlow. Beck's stunning vocals are as strong as ever, and it was wonderful to see her in a role which she originated and which allows her comedic qualities to shine through. In the original 1998 National Youth Music Theatre production of The Kissing-Dance, Virgo played the idle Tony Lumpkin, but demonstrates in this production that he was simply born to play young Marlow. His comedy skills are second to none, and he brings an air of loveable rogue to the character with such ease, matching these attributes with a sublime voice.
Beverley Klein's portrayal of the formidable Mrs Dorothy Hardcastle adds a whole new level of hilarity to the show, gelling well with her husband, David Burt's rather indignant and oft-offended Dick Hardcastle.
I should like to mention each cast member individually by name, but fear I cannot in a short review. Yet two more names deserving of a mention are Gemma Sutton and Jack Shalloo. The former skilfully combines sharp comedy timing with a charming strength of character and a soulful voice, whilst the latter is perfectly cast as the evening's catalyst, bravely tackling songs which could potentially confuse the most organised brain.
I guarantee you'll leave the theatre with a smile on your face, a spring in your step and a catchy tune on your lips. Get your tickets now, for The Kissing-Dance must end April 23. Go on, you'd be a fool to miss it.
