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BWW Reviews: THE JUNGLE BOOK, Old Rep Theatre, Birmingham, April 8 2011

Review_THE_JUNGLE_BOOK_Old_Rep_Theatre_Birmingham_April_8_2011_20010101

From the first second the audience sets its eyes on the jungle green set of the Birmingham Stage Company's The Jungle Book to the final seconds of the show's soaring finale they are treated to a genuine feast of entertainment than can only be described as theatrical magic. Along the way they encounter a host of "animals", including wolves, monkeys, a snake, a panther, a bear, a tiger and the most complicated and in many ways most primeval animal of all - man.

For this is Kipling's allegorical morality tale set around the fable of the "man-cub" Mowgli, abandoned in the Indian jungle, raised by wolves, hunted by the evil Tiger Shere Khan, befriended by the bear Baloo and Panther Bagheera and ultimately finding that he is not accepted by either beasts or mankind. But it is also simply "just great fun". Stuart Patterson (the writer of the superb stage adaptation), together with director Neal Foster and his team of designers and thespians manage to create a world and narrate a story that works on many levels, appealing to both young and old alike. And the appeal is further enhanced by a delightful score of songs by BB Cooper and Barb Jung - with more than a little help from orchestrator Gidon Fineman - which are not only "catchy" but also perfect vehicles for enhancing character and advancing the plot.

But perhaps the most essential ingredients in this feast of a show are the incredibly talented ensemble of actors. Samuel Hargreaves, in his UK debut as Mowgli, oozes with boyish charm, uses his beautifully toned vocals to perfect effect and totally "owns" the stage throughout - showing that he is a genuine star-in-the making. And the rest of the cast (Peter Sowerbutts, Natasha Lewis, Iwan Tudor, Rob Hughes, Zephryn Taitte, Craig Painting, Laura Waggott, Joe Sterling and Jennifer O'Neil) support him with great vocal, acting and dancing skills and a precise physicality of movement that makes every animal a believable character (thanks in great part to the contribution of "animal movement expert" Peter Elliott). Every single person on stage delivers a performance with such an infectious level of energy that they never allow the pace of the show to drop for an instant.

According to Kipling's Law Of the Jungle, "the strength of the Pack is the Wolf and the strength of the Wolf is the pack". The leader and the pack do not get much stronger than those on view on stage in this production and they are set fair to delight audiences across the UK for the duration of this major touring production.

 

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Robert Gould is a graduate of the University of Wales, Swansea, a former teacher, a writer of history books for schools (The French Revolution and European Nationalism, 1848-71) and the librettist and lyricist of a number of musicals. Collaborating with composer Ty Kroll, he has written the book and lyrics for the musicals, Lovers, Alone and Vocalize!. Concerts of songs from Lovers and Vocalize! were presented at the University of Wisconsin, Madison (in March 2002 and April 2003) and Alone received its world premiere staging in Madison, Wisconsin in April 2003. He has co-written the book & lyrics for the musical Nova (with composer, Tristan Bons) and The Dying Game, a musical that speaks for the victims of HIV/AIDS in Africa (with music by Filip von Uexkull, Ty Kroll & Tristan Bons) - which received a showcase production at the Greenwich Musical Futures season in 2005. He is currently developing 3 musicals - Elephant Juice and My Land?s Shore with Christopher J. Orton and After The Turn with Tim Jones.
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